Time is ticking.
Send your submission of an Idaho ghost story for Other Bunch Press’ upcoming anthology, “Hauntings From the Snake River Plain.”
It is free to submit. The deadline is Dec. 31.
If selected you get a copy of the book, publishing credit and writing laurels.
For more info, go wo http://www.otherbunch.wordpress.com.
I loved my grandfather very much and lost him when I was young.
He taught me how to draw, and I remember his wonderful smile. Although he had to make his living working in a steel mill, he wrote plays. My mom said I must have taken after him, which is a great compliment.
What I also remember about going to my grandparents house was Mexican bread pudding, which they served to us. I loved it then and now, and still make it for my family.
The dish is more than my culture, but a special memory of my grandfather.
You’ll find the recipe on my recipe page.
I happened upon these outrageous film posters (many thanks to The Hollywood Reporter).
They gave me a laugh.
So if you think you have come up with stupid ideas for a story, think again.
And look at it this way, if this crap can get made into a movie, your good story might just have a chance.
Tonight is the premiere of my first play, Tears for Llorona. This is so exciting to see my words come to life.
However, the process was a challenge.
About two years ago, Carolyn White with the Magic Valley Arts Council, asked me to consider writing a play with Latino themes and culture to open at the new Twin Falls Center for the Arts. Although I have written screenplays, I had never tackled a play.
I decided to adapt one of my short stories of the same name. In my retelling of the well known Mexican tale of Llorona-the weeping woman, I told the story from the mother’s point of view and what happened in a Mexican village many years ago.
For the play, I also decided to add a modern intro and ending.
I sat down to write. Immediately, I found that writing a play was one of the most difficult things I have ever done.
Unlike screenplays, where you can rely on special effects and in books where you can just end a chapter, everything I needed had to be accomplished on stage.
Moving people around the stage also was daunting. Thanks to my friend Laried Montgomery, a veteran of Broadway, for helping me learn stage left from upstage, and so on. During the rehearsal process, I also have learned a lot from how James Haycock is directing the play.
The challenge was worth it. Actors are giving life to my words, they are telling my story.
So what is the moral to all this? As writers we must face challenges and meet them head on. We must try new things. If I had been too frightened to try, I would never have written my play of which I am proud.
Take a chance in your writing. Meet a challenge.